Built for the Concert hall of the Smarano Academy the organ has been made according to the style and mechanics of the the Renaissance historical instruments, with specific reference to the Antegnati tradition and, in general, of the contemporary instruments of the northern side of Italy; this both in terms of voicing, mechanics and construction styles.

Manual:
Principale (95% of tin) (8’, front pipes from Fa1 are 6’)
Ottava                        
Quintadecima
Decimanona               (rit. Fa#4)
Vigesimaseconda        (rit. Do#4)
Vigesimasesta            (rit. Fa#3, Fa#4)
Vigesimanona             (rit. Do#3, Do#4)
Flauto in Ottava
Flauto in Duodecima
Cornetta
Fiffaro                        (from Do#2)
Regale bassi
Regale soprani
Split  bassi/soprani: ( Do3/Do#3)

Keyboard: 45 key (Do1-Do5) short octave,split keys (tasti enarmonici) for Mib2,3,4 e Sol#2,3
Pedal: 14 keys (Do1-Fa2) linked to manual keyboard.
Temperament: Meantone
Pitch: 440 Hz
Wind presure: 38 mm H₂O

The instrument of S. Maria Assunta church in Smarano was built by the Organ builder Glauco Ghilardi from Lucca (Tuscany) in 1992.The organ is inspired by the Flemish models of XVI century in its phonetic and technical features.
The organ maker says: "Even though it isn't a copy, the attempted operation is to synthesize, with stylistic rigor and personal creativity, elements and stimula derived from studies on an historical instrument and from playing experiences of literature from that period". When the both appealing and disappointing hypothesis of an "omnibus" organ (suitable for all types of literature) was discarded, the organ builder thought at an instrument "aiming to Flemish and Northern German Literature of XVI and XVII centuries", from the assumption that "a strongly characterized instrument doesn't prevent from playing literatures that are different from the ones for which it was conceived".